Tango artists such as Alfredo Eusebio Gobbi and his wife Flora (the parents of Alfredo Gobbi) travelled to Paris to record in 1909, when the possibilities to make recordings in Argentina were very limited, but the export of tango music from Buenos Aires to Europe seems to have begun only in the 1920s. Recordings of Canaro’s típica began to be released in Paris in (we think) 1925, presumably to capitalise on his arrival in the City of Light. Odeon France released, for example, Francesita (matrix 1721, DNO 6958-A) c/w (coupled with) Griseta (mx: 2365/1, DNO 4026-A) on the disc 49.110 / 49.111 (the two sides had different numbers in those days).
In 1926, Parlophone (a sister company of Odeon) released three discs in their premium ‘R’ (‘Royalty’) series. The first two featured Roberto Firpo, whilst the third was shared by Canaro and Maglio. These were acoustic recordings. The advertisement below appeared in the “Ladies’ Mirror” magazine in New Zealand in June 1926:
R3202 contained Humberto Canaro’s Alfredo, recorded in Bs As in 1924 and released there on DNO 4009-B.
The £ sign on the label represents the letter ‘L’ and thus the name of the parent company, Lindstrom – not so strange when one considers that the pound sign itself comes from the latin ‘L’ for libra pondo, the basic unit of weight in the Roman Empire, which in turn was derived from the Latin word libra, meaning scales.
With the success of Canaro’s trip to Europe (1925-26) Odeon embarked on a series they called ‘Odeon Tango’ – OT for short – in 1927. This series was the tango version of their Odeon Dance recordings (‘OD’); the fact that OT also stands for ‘Orquesta Típica’ is just a happy coincidence: not all the releases are tangos. These discs were printed in London, in the Netherlands, and even in Switzerland, and issued on the Parlophone and Odeon labels. All the discs present electrical recordings. Parlophone included either the matrix number or the Argentine disc number on the records, sometimes both. As far as we can tell, 191 records were issued and many remained in the catalogue for many years.
At the same time, Odeon made their own issues on the continent (France, Spain, Germany and Italy) with their own couplings. In France for example 238 084 presented Zaraza c/w Margaritas, neither of which appears in the OT series. Particularly interesting on this disc is evidence of an Odeon Europe internal reference number with the prefix ‘Bao’: Zaraza is Bao 1209, and Margaritas is Bao 1198. These numbers never appeared on OT series discs but we know that e.g. Alma del bandoneón (OT 133) was Bao 1678. Another example is a Spanish release, 182.152 which presented Retintin c/w Derecho viejo (the same coupling as DNO 4282 in Argentina). Retintin is listed as B.A.621, and Derecho viejo as B.A.620.
Finally, not all the Odeon Tango recordings were tangos. (OT 141) presented a pair of pasodobles by Roberto Firpo. At least one of these was released by Columbia in Japan.
Cat# | Artist | Title | Matrix | Cross reference | Date | Composer |
---|---|---|---|---|---|---|
OT 101 | Francisco Canaro | Angustia | 293-1 | 4251-A | 10/1/1927 | Horacio Pettorossi |
OT 101 | Francisco Canaro | Milonga con variación | 747 | 4303-A | 13/5/1927 | Francisco Canaro |
OT 102 | Francisco Canaro | Canaro en Paris | 799 | 4299-B | 23/5/1927 | Juan Caldarella – Alejandro Scarpino |
OT 102 | Francisco Canaro | Río de oro | 1107-1 | 4353-A | 16/8/1927 | Lucio Demare |
OT 103 | Francisco Canaro | Arrabalero | 712 | 4301-A | 5/5/1927 | Osvaldo Fresedo |
OT 103 | Francisco Canaro | Rezongos | 713 | 4301-B | 5/5/1927 | José María Rizzutti |
OT 104 | Francisco Canaro | Barrio reo | 519 | 4285-A | 23/3/1927 | Roberto Fugazot – Alfredo Navarrine |
OT 104 | Francisco Canaro | Araca, corazón | 489 | 4268-A | 17/3/1927 | Enrique Delfino |
OT 105 | Francisco Canaro | Caído del cielo | 1269 | 4352-A | 3/9/1927 | Pedro Polito – Antonio Polito |
OT 105 | Francisco Canaro | Queja Indiana | 1303 | 4352-B | 13/9/1927 | Juan Rodriguez – Juan Miguel Velich |
OT 106 | Francisco Canaro | Noche de Reyes | 1289 | 4355-A | 07/09/1927 | Pedro Maffia – Jorge Curri |
OT 106 | Francisco Canaro | Un tropezón | 674 | 4289-A | 27/4/1927 | Raúl Joaquin de los Hoyos |
OT 107 | Francisco Canaro | Federación | 469-1 | 4266-A | 12/3/1927 | Francisco Canaro & Luis Riccardi – Juan Andrés Caruso |
OT 107 | Francisco Canaro | Tiempos viejos | 833 | 4311-A | 30/5/1927 | Francisco Canaro |
OT 108 | Francisco Canaro | Marcelo | 538 | 4275-A | 30/3/1927 | Edgardo Donato – Carlos Warren |
OT 108 | Francisco Canaro | Sangre azul | 1153-1 [*] | 4351-A | 20/9/1927 [*] | Fioravanti Di Cicco |
OT 109 | Francisco Canaro | Saturnia | 1284 | 4344-A | 7/9/1927 | Juan de Dios Filiberto |
OT 109 | Francisco Canaro | Copetin, vos sos mi hermano | 1271 | 4373-B | 3/9/1927 | Andrés Domenech – Diego Flores |
OT 110 | Francisco Canaro | En Silencio | 1286 | 4354-B | 7/9/1927 | Raúl Courau |
OT 110 | Francisco Canaro | Se acabaron los otarios | 468/? | 4267-A | 11/3/1927 | Francisco Canaro – Juan Caruso |
OT 111 | Francisco Canaro | Puentecito del Plata * | 844/1 [*] | 4319-A | 15/6/1927 [*] | Francisco Canaro – Pascual Contursi |
OT 111 | Francisco Canaro | Retirao | 971 | 4326-A | 23/6/1927 | Carlos Posadas |
OT 112 | Francisco Canaro | Bells of Hawaii | 4843 | 4610-A (Bao 1263) |
11/8/1929 | William Heagney |
OT 112 | Francisco Canaro | Nelly | 3135 | 4463-A (Bao 1113) |
10-09-1928 | Héctor Bates – Luis Bates |
OT 113 | Francisco Canaro | Don Juan | 4431-1 | 4569 | 8/1/1929 | Ernesto Ponzio |
OT 113 | Francisco Canaro | La morocha | 4403 | 4569-B | 24/7/1929 | Enrique Saborido – Angel Villoldo |
OT 114 | Francisco Canaro | Chanta cuatro | 2620 | 4436-B | 12/5/1928 | Enrique Domingo Cadícamo |
OT 114 | Francisco Canaro | Yira, yira | 6007 [*] | 4674-A | 9/4/1930 | Enrique Santos Discépolo |
OT 115 | Francisco Canaro | La brisa | 4255-1 | 4552-B | 19/6/1929 | Francisco Canaro & Juan Canaro – Juan Caruso |
OT 115 | Francisco Canaro | Llevatelo todo | 2221 | 4436-A | 12/5//1928 | Rodolfo Pascual Sciammarella |
OT 116 | Francisco Canaro | Adiós muchachos | 1967 | 4400-B | 3/1/1928 | Julio Sanders |
OT 116 | Francisco Canaro | Prisionero | 4570/1 [*] | Odeon 4578-A | 11/9/1929 | Anselmo Aieta – Francisco García Jiménez |
OT 117 | Francisco Canaro | La cumparsita | 379/2 | 4262-B | 17/4/1929 | Gerardo Matos Rodríguez |
OT 117 | Francisco Canaro | Esta noche me emborracho | 2350 | 4420-A | 4/3/1928 | Enrique Santos Discépolo |
OT 118 | Francisco Canaro | Pensalo bien | 4740 | 4590-A | 23/10/1929 | Alberto Calvera – Enrique Lopez |
OT 118 | Francisco Canaro | Rancho embrujao | 4797 [*] | 4594-A | 2/11/1929 | Raúl Courau |
OT 119 | Francisco Lomuto | Como los nardos en flor | 5424 | 7844-B | 15/04/1930 | Mario & Teófilo Léspes |
OT 119 | Francisco Lomuto | En la tranquera | 5220 | 7842 | 3/10/1930 | Francisco Lomuto – Pancho Laguna |
OT 120 | Francisco Canaro | Comadre | 4337-2 [*] | 4560-A | 14/8/1929 | Juan de Dios Filiberto – Celedonio Esteban Flores |
OT 120 | Francisco Canaro | Te amo y seras mia | 5441 | 4639-A | 21/4/1930 | Alfredo Marengo – José Zatzkin |
OT 121 | Francisco Canaro | I Don´t Know Why I Love You (Yo no se porque te quiero) | 7693 | 4892-A | 4/5/1934 | Francisco Canaro – Ivo Pelay |
OT 121 | Francisco Canaro | My Little Black-Haired Baby (Negrita de mi alma) | 7684 | 4895-A | 28/4/1934 | César De Pardo/José Francisco García |
OT 122 | Francisco Canaro | Milonga | 7610 | 4883-B | 11/12/1933 | José María Rizzuti – Santiago Giordano |
OT 122 | Francisco Canaro | Puerto Nuevo | 7611 | 4882-B | 11/12/1929 | Teófilo Lespés – Carlos Pesce |
OT 123 | Francisco Canaro | No quiero verlo mas | 7624 | 4885-B | 29/01/1934 | Rodolfo Sciammarella |
OT 123 | Francisco Canaro | Que haces, Que haces ? | 7592 | 4878-B | 13/11/1929 | José di Clemente – Jesús Fernandéz Blanco |
OT 124 | Francisco Canaro | Si soy así | 7494/1 [*] | 4864-A | 17/8/1933 | Francisco Lomuto – Antonio Botta |
OT 124 | Francisco Canaro | Sufro | 7514 | 4880-B | 10/9/1933 | Luis Canaro – Jesús Fernandéz Blanco |
OT 125 | Francisco Canaro | Amigaso | 993 | 4327-A | 7/7/1927 | Juan de Dios Filiberto |
OT 125 | Francisco Canaro | Clavelito | 453 | 4267-B | 10/3/1927 | Juan Canaro |
OT 126 | Francisco Canaro | Tango Of The "Mula" (El tango de la mula) | 7692 | 4894-A | 4/5/1934 | Francisco Canaro – Ivo Pelay |
OT 126 | Francisco Canaro | A Garden of Illusion (Un jardín de ilusión) | 7695 | 4893-A | 4/5/1934 | Francisco Canaro – Ivo Pelay |
OT 127 | Francisco Canaro | Churrasca | 7734 | 4899-A | 7/6/1934 | Francisco Lomuto – Pancho Laguna |
OT 127 | Francisco Canaro | Mi Buenos Aires querido | 7822 | 4909-A | 19/9/1930 | Carlos Gardel – Alfredo La Pera |
OT 128 | Francisco Canaro | Mi musa campera | 7879 | 4911-B | 31/10//1930 | Irusta – Fugazot – Demare |
OT 128 | Francisco Canaro | Madrecita de Pompeya | 7864 | 4916-A | 20/10/1930 | José Martinéz – Francisco Laino |
OT 129 | Francisco Canaro | Aparcero | 7738 | 4901-A | 12/6/1934 | Anselmo Aieta – Antonio Radicci |
OT 129 | Francisco Canaro | Cuesta abajo | 7821 | 4908-A | 19/9/1934 | Carlos Gardel – Alfredo La Pera |
OT 130 | Roberto Firpo | El adiós del boyero | 7964 | 3084-B | 11/12/1934 | Jaime Vila – José Perrusine Fernández |
OT 130 | Roberto Firpo | Buscando millonaria | 8006 | 3075-A | 17/12/1934 | José Riestra |
OT 131 | Francisco Canaro | Charamusca | 7930 | 4923-A | 21/11/1934 | Francisco Canaro |
OT 131 | Francisco Canaro | Soy cantor | 7935 | 4926-A | 23/11/1934 | Francisco Pracánico – Alfonso Ferrari Amores |
OT 132 | Francisco Canaro | Poncho de dolor | 7937 | 4927-A | 23/11/1934 | Rafael Rossi – Francisco Gorindo |
OT 132 | Francisco Canaro | Sibidos de un vago | 7948 | 4924-A | 30/11/1934 | Héctor Gerard Cruz – Arsenio Mármol |
OT 133 | Francisco Canaro | No hay que hacerse mala sangre | 8028-1 [*] | 4931-A | 20/3/1935 | Francisco Canaro – Ivo Pelay |
OT 133 | Francisco Canaro | Alma del bandoneón | 8029 | 4933-A (Bao 1678) | 20/3/1935 | Enrique Santos Discépolo – Luis César Amadori |
OT 134 | Roberto Firpo | La bordadora | 8032 | 3080-A | 22/3/1935 | Roberto Firpo – Venancio Clauso |
OT 134 | Roberto Firpo | La tortuguita | 8034 | 3080 | 22/3/1935 | Roberto Firpo – Fernandez |
OT 135 | Francisco Canaro | El pescante | 7735 | 4900-A | 7/6/1934 | Sebastián Piana – Homero Manzi |
OT 135 | Francisco Canaro | La canción de la ribera | 7788 | 4907-B | 1/8/1934 | Miguel Bonano – Alfredo Bigeschi |
OT 136 | Francisco Canaro | Tangón (Nueva Danza) | 8289/? | 4954-A | 21/8/1934 | Francisco Canaro – Ivo Pelay |
OT 136 | Francisco Canaro | La copla porteña | 8292 | 4955-B | 21/8/1934 | Francisco Canaro – Ivo Pelay |
OT 137 | Francisco Canaro | Aunque no lo crean | 8285 | 4953-A | 16/8/1934 | Francisco Canaro |
OT 137 | Francisco Canaro | Casas viejas | 8286 | 4952-A | 16/8/1934 | Francisco Canaro – Ivo Pelay |
OT 138 | Juan de Dios Filiberto y su Orquesta Porteña | Re-Fa-Si | 8380 | 6452 (Bao 1879) |
1935 | Enrique Delfino |
OT 138 | Juan de Dios Filiberto y su Orquesta Porteña | Responso malevo | 8225 | 6452 | 10/07/1935 | Juan Polito |
OT 139 | Juan de Dios Filiberto y su Orquesta Porteña | Clavel del aire | 8228 | – | – | Juan de Dios Filiberto |
OT 139 | Juan de Dios Filiberto y su Orquesta Porteña | Estampa | 8382 | – | – | Ramón Gutiérrez del Barrio |
OT 140 | Roberto Firpo | La carcajada | 8354 | 3097 | 04/10/1935 | Roberto Firpo | OT 140 | Roberto Firpo | Bella española | 8356 | 3097 | 04/10/1935 | – |
OT 141 | Roberto Firpo | Por mi morena (pasodoble) | 8244 | 3086 | 24/07/1935 | Herrera |
OT 141 | Roberto Firpo | Curro en el oro (pasodoble) | 8258 | 3089 | 31/07/1935 | Herrera |
OT 142 | Roberto Firpo | La cucaracha | 7858 | 3067-A | 10/10/1934 | Juan y D’Lorah |
OT 142 | Roberto Firpo | A media Luz | 7859 | 3067-B | 19-10-1934 | Donato – Lenzi |
OT 143 | Francisco Canaro | Canaro | 8209 | 4980-B | 18/06/1935 | José Martínez |
OT 143 | Francisco Canaro | Horizontes | 8398 | 4966-A | 22/10/1935 | Charlo – Homero Manzi |
OT 144 | Francisco Canaro | El internado | 8419 | 4964-B | 8/11/1935 | Francisco Canaro |
OT 144 | Francisco Canaro | Juntando amores | 8447 | 4971-A | 3/12/1935 | María Isolina Godard |
OT 145 | Francisco Canaro | Donde ? | 8449 | 4968-A | 3/12/1935 | Irusta – Fugazot – Demare |
OT 145 | Francisco Canaro | Yo también soñé | 8475/? | 4975-A | – | Francisco Canaro – Luis César Amadori |
OT 146 | Francisco Canaro | Canillita | 8512 | 4979-B | 31/3/1936 | Francisco Canaro |
OT 146 | Francisco Canaro | Las doce menos cinco | 8530 | 4982-B | 3/4/1936 | Agustín Bardi – Luis Bates |
OT 147 | Juan de Dios Filiberto y su Orquesta Porteña | Botines viejos | 7293 | 5300-A (OD 102) | 1932 | Juan de Dios Filiberto – Alberto Vaccarezza |
OT 147 | Juan de Dios Filiberto y su Orquesta Porteña | El pañuelito | 7923 | 5300-A (OD 102) | 1934 | Juan de Dios Filiberto |
OT 148 | Francisco Canaro | El caburé | 8538 | 4983-B | 13/4/1936 | Arturo de Bassi |
OT 148 | Francisco Canaro | Envidia | 8720 | 4999-A | 26/8/1936 | Francisco Canaro – José Gonzalez Castillo – Luis Amadori |
OT 149 | Francisco Canaro | Qué le importa al mundo | 8722 | 5002-A | 26/8/1936 | Francisco Canaro – José González Castillo – Antonio Botta – Luis Amadori |
OT 149 | Francisco Canaro | Como te quiero | 8732 | 5000-A | 1/9/1936 | Francisco Canaro – J. Castillo – A. Botta – L. Amadori |
OT 150 | Francisco Canaro | El porteño | 8733 | 4998-A | 1/9/1936 | Francisco Canaro – J. Castillo – A. Botta – L. Amadori |
OT 150 | Francisco Canaro | Como las flores | 8573 | 4984-B | 12/5/1936 | Mario Canaro – Luis Amadori |
OT 151 | Roberto Firpo | Loco lindo | 8645 | 3112-A | 18/7/1936 | Carlos Di Sarli – Conrado Nalé Roxlo |
OT 151 | Roberto Firpo | Arrepentido | 8750 | 3114-B | 18/9/1936 | Rodolfo Sciammarella |
OT 152 | Francisco Canaro | El que a hierro mata | 8341 | 4956-A | 30/9/1935 | Francisco Canaro – Ivo Pelay |
OT 152 | Francisco Canaro | Siempre unidos | 8783 | 5005-B | 6/10/1936 | Alberto Soifer – Manuel Romero |
OT 153 | Francisco Canaro | Todo es cuestion de suerte | 8813 | 5011-A | 25/10/1936 | Enrique Delfino – Tabanillo |
OT 153 | Francisco Canaro | Que nadie se entere | 8910 | 5020-A | 23/2/1937 | Alberto Goméz |
OT 154 | Francisco Canaro | Novia | 8985 | 5023-B | 26/4/1936 | Francisco Rofrano – Francisco Gorrindo |
OT 154 | Francisco Canaro | Desconfiale | 8967 | 5024-B | 19/4/1937 | Francisco Canaro – Ivo Pelay |
OT 155 | Francisco Canaro | Desencanto | 8908 | 5017-A | 23/2/1937 | Enrique Santos Discépolo – Luis Amadori |
OT 155 | Francisco Canaro | Milagro | 8900 | 5019 | 19/2/1937 | Luis Rubistein |
OT 156 | Francisco Canaro | Resentimiento | 8942 | 5026-A | 10/4/1937 | Francisco Canaro |
OT 156 | Francisco Canaro | El buey solo | 8335 | 4957-B | 27/9/1935 | Agustin Bardi |
OT 157 | Francisco Canaro | Se lo llevaron | 9114 | 5035-A | 20/7/1933 | Agustin Bardi |
OT 157 | Francisco Canaro | La puñalada | 9106 | 5038-A | 12/07/1937 | Pintín Castellanos |
OT 158 | Roberto Firpo | El llorón | 8863 | 3500-A | 19/12/1936 | Juan Maglio |
OT 158 | Roberto Firpo | La trilla | 8865 | 3501 | 19/12/1936 | Eduardo Arolas |
OT 159 | Francisco Canaro | Cariño gaucho | 8822 | 5014 | 18/11/1936 | Francisco Canaro – Lucio Demaré – Claudio Martinez Payvo |
OT 159 | Francisco Canaro | Milonguita | 8828 | 5013-B | 20/11/1936 | Enrique Pedro Delfino – Samuel Linnig |
OT 160 | Francisco Canaro | Pura milonga | 9138 | 5041-A | 10/8/1937 | José Pécora |
OT 160 | Francisco Canaro | Mal de ausencia | 8943 | 5025-B | 10/4/1937 | Francisco Canaro – Ivo Pelay |
OT 161 | Francisco Canaro | Condena | 9204 | 5056-A | 8/11/1937 | Enrique Santos Discépolo – Francisco Pracánico |
OT 161 | Francisco Canaro | Viejos tiempos | 9169 | 5050-A | 28/09/1937 | Carlos Gardel – Alfredo le Pera |
OT 162 | Don Pancho y su Quinteto Argentino | Los tiempos cambian | 9214 | 4102-B | 15/11/1937 | Pascual Biafore |
OT 162 | Don Pancho y su Quinteto Argentino | El choclo | 9216 | 4103-A | 15/11/1937 | Angel Villoldo |
OT 163 | Francisco Canaro | Recuerdos de París | 9218 | 5055-B | 16/11/1937 | Mario Canaro – Carmelo Santiago |
OT 163 | Francisco Canaro | Rincón florido | 9206 | 5057-B | 8/11/1938 | Zaira Canicoba – Óscar Lomuto |
OT 164 | Roberto Firpo | El apronte | 8935 | 3503-B | 27/03/1937 | Roberto Firpo |
OT 164 | Roberto Firpo | Homero | 8801 | 3115-B | 1/12/1936 | Roberto Firpo |
OT 165 | Francisco Canaro | Paciencia | 9316 | 5059-A | 3/3/1938 | Juan D’Arienzo – Francisco Gorrindo |
OT 165 | Francisco Canaro | El adiós | 9317 | 5059-B | 3/3/1938 | Maruja Pacheco Huergo – Virgilio San Clemente |
OT 166 | Francisco Canaro | Cuando el corazón | 9318 | 5060-A | 3/3/1938 | Francisco Canaro – Carmelo Santiago |
OT 166 | Francisco Canaro | La melodia de nuestro adiós | 9319 | 5060-B | 3/3/1938 | Fioravanti di Cicco |
OT 167 | Francisco Canaro | Indiferencia | 9373 | 5066-A | 21/4/1938 | Rodolfo Biagi – Juan Carlos Thorry |
OT 167 | Francisco Canaro | Pampa | 9348 | 5064-A | 24/3/1938 | Francisco Prácanico |
OT 168 | Francisco Canaro | Lorenzo | 9346 | 5063-A | 24/3/1938 | Agustin Bardi |
OT 168 | Francisco Canaro | Retintín | 9347 | 5063-B | 24/3/1938 | Eduardo Arolas |
OT 169 | Francisco Canaro | Adiós muchachos | 9461 | 5065 | 6/20/6/1938 | Julio César Sanders – César Vedani |
OT 169 | Francisco Canaro | Pura parada | 9460 | 5073-B | 20/6/1938 | Juan Francisco Noli |
OT 170 | Francisco Canaro | La maleva | 9511 | 5075-A | 14/7/1938 | Antonio Buglione |
OT 170 | Francisco Canaro | Vieja amiga | 9647 | 5080-A | 7/10/1938 | Pedro Blanco Laurenz |
OT 171 | Francisco Canaro | Frio | 9534-? | 5076-A | 26/7/1938 | Joaquín Mora – José María Contursi |
OT 171 | Francisco Canaro | Nada más | 9596 | 5078-A | 22/8/1938 | Juan D’Arienzo – Luis Rubistein |
OT 172 | Francisco Canaro | Ciertos amores | 9650-? | 5089-B | 7/10/1938 | Rafael Canaro |
OT 172 | Francisco Canaro | Desprecio | 9649 | 5083 | 7/10/1938 | Ricardo Tanturi – Francisco García Jiménez |
OT 173 | Francisco Canaro | Olvidame | 9718 | 5085-B | 18/11/1938 | Miguel Bucino |
OT 173 | Francisco Canaro | Callecita de mi novia | 9717 | 5090 | 18/11/1938 | Francisco Lomuto – Antonio Botta |
OT 174 | Francisco Canaro | Sangre de suburbio | 9719 | 5092-A | 18/11/1938 | Héctor Palacios – Iván Diéz |
OT 174 | Francisco Canaro | Quebranto | 9720 | 5086-B | 18/11/1938 | Ateo Dapiaggi – Francisco Antonio Lío |
OT 175 | Francisco Canaro | Yo sere como tú quieras | 9726 | 5087-A | 25/11/1938 | Héctor Lomuto |
OT 175 | Francisco Canaro | Suplicio | 9747 | 5091-A | 3/12/1938 | Carlos Viván – Francisco Bohigas |
OT 176 | Francisco Canaro | Mano a mano | 9756 | 5088-A | 13/12/1938 | Carlos Gardel – José Razzano – Celedonio Flores |
OT 176 | Francisco Canaro | Por vos yo me rompo todo | 9814 | 5093-A | 27-02-1939 | Francisco Canaro |
OT 177 | Francisco Canaro | Mala suerte | 9815 | 5094-A | 27/02/1939 | Francisco Lomuto – Francisco Gorrindo |
OT 177 | Francisco Canaro | Donde andará | 9816 | 5094-B | 27/02/1939 | Juan Canaro – Carlos Pesce |
OT 178 | Francisco Canaro | Tormenta | 9838 | 5096-A | 28/03/1939 | Enrique Santos Discépolo |
OT 178 | Francisco Canaro | Vanidad | 9840 | 5097 | 28/03/1939 | Gerardo Matos Rodríguez |
OT 179 | Francisco Canaro | Lo pasao pasa | 9851 | 5099-B | 29/03/1939 | Miguel Bucino |
OT 179 | Francisco Canaro | Qué importa! | 9841 | 5102-B | 28/03/1939 | Ricardo Tanturi – Juan Carlos Thorry |
OT 180 | Francisco Canaro | Quiero verte una vez más | 9890 | 5098-B | 13/04/1939 | Mario Canaro |
OT 180 | Francisco Canaro | Mas allá | 9918 | 5104-A | 04/05/1939 | Joaquín Mora – José María Contursi |
OT 181 | Francisco Canaro | Te quiero todavía | 9919 | 5100-A | 04/05/1939 | José Ranieri – Mario Gomila |
OT 181 | Francisco Canaro | Atardecer | 9921 | 5105-A | 04/05/1939 | Luis & Germán Teisseire |
OT 182 | Francisco Canaro | Al subir al bajar | 9943 | 5106-B | 19/05/1939 | Alberto Suaréz Villanueva – Enrique Cadícamo |
OT 182 | Francisco Canaro | Y no puede ser | 9852 | 5108-A | 30/05/1939 | Aníbal Troilo – José María Contursi |
OT 183 | Francisco Canaro | Mosterio ! | 10073 | 5111-A | 11/09/1939 | Alberto Gambino – Alí Salem de Baraja |
OT 183 | Francisco Canaro | Que es lo que tiene la Bahiana | 10071 | 5114-B | 10/09/1939 | Dorival Caymmi |
OT 184 | Francisco Canaro | Abandonada | 10070 | 5110-A | 11/09/1939 | Francisco Canaro – Manuel Romero |
OT 184 | Francisco Canaro | Amor, salud y dinero (Salud dinero y amor) [2] | 10074 | 5111-A | 11/09/1939 | Rodolfo Sciammarella |
OT 185 | Francisco Canaro | Noches de Buenos Aires | 8083 | 4937-A | 23/04/1935 | Alberto Soifer – Manuel Romero |
OT 185 | Francisco Canaro | Ojos negros que fascinan | 8090 | 4939 | 25/04/1935 | Manuel Salína – Florián Rey |
OT 186 | Francisco Canaro | Llanto | 10484 | 5135-B | 20/05/1940 | Pedro Maffia – Homero Manzi |
OT 186 | Francisco Canaro | Milonga clasica | 10416 | 5135-A | 18/04/1940 | Luis Riccardi |
OT 187 | Francisco Canaro | Pájaro ciego | 10493 | 5139-A | 22/05/1940 | Antonio Bonavena – Lito Bayardo |
OT 187 | Francisco Canaro | Bandoneon de mis amores | 10486 | 5138-A | 20/05/1940 | Federico Agustín Scorticati |
OT 188 | Orquesta Argentina | Ricurita de mi alma | 8859 | – | 1936 | Julio Rosenberg – Alex |
OT 188 | Orquesta Argentina | Alma de Bohemio | 8860 | – | 1936 | Roberto Firpo |
OT 189 | Francisco Canaro | Sinfonía de arrabal | 10181 | 5126-A | 23/11/1939 | Maruja Pacheco Huergo |
OT 189 | Francisco Canaro | A quién le puede importar | 10307 | 5127-A | 26/1/1940 | Mariano Mores – Enrique Cadícamo |
OT 190 | Francisco Canaro | Un amor | 10770 | 5141-A | 14/10/1940 | Mario Maurano – Alfredo Malerba – Luis Rubistein |
OT 190 | Francisco Canaro | En un beso… la vida…! | 10716/3 | 5141-B [*] | 30/09/1940 | Carlos Di Sarli – Héctor Marcó |
OT 191 | Francisco Canaro | Martirio | 10456 | 5133-A | 9/5/1940 | Enrique Santos Discépolo |
OT 191 | Francisco Canaro | Melodía oriental | 10477 | 5136-A | 16/5/1940 | Robert Zerrillo – Juan Carlos Howard – Enrique Cadícamo |
[*] Regarding OT 176 Por vos… yo me rompo todo, the ‘dry’ matrix Take 1 was sent to England, whilst Take 2 (9814/1) was printed in Bs As on DNO 1.5093-A
[2] On OT-184, Salud, dinero y amor is the correct title, but the order of these three felicities was changed to accord better with European sensibilities.
[*] Regarding OT 190: alternate takes were sent to Europe for printing. For En un beso… la vida…! the ‘dry’ matrix 10716 was printed in Argentina, whilst take 4 (matrix 10716/3) was sent.
For Un amor, the ‘dry’ matrix 10770 was printed in Argentina, whilst take 3 (matrix 10716/2) was sent.
Back in the day, many record companies used to publish catalogues. Here is the Canaro listing from the Parlophone-Odeon catalogue of 1937-1938. You’ll observe that at this time the highest number released is OT-155.
This page was inspired by the page of Tyrone Settlemier and Robert Lachowitz. As that page seems to no longer be maintained I have produced a corrected table here. Thanks to Serjan Pruis for additional information. Matrix and disc numbers were checked against Christoph Lanner’s discography.
It’s easy to make mistakes in a big table like this. Seen any mistakes or omissions? Let us know.