The demise of the CD has created big problems for tango music fans looking to start their collections.
Today we look at the D’Arienzo albums from the “Tango for Export” era (the 1960s).
RCA-Victor released four LPs called D’Arienzo for Export, and in the CD era these were recompiled over three CDs.
Finally there was a very popular compilation CD, El rey del compás – of the many albums with this title, this was the one with a night-time photograph of Buenos Aires’s Calle Corrientes on the cover – printed back-to-front!
Now, Sony BMG (owners of RCA-Victor) have not released any of these albums digitally.
However in 2015 they released the four original albums digitally, although only in Europe – not in the US. Here they are:
D’Arienzo for Export
amazon UK | DE
Apple music UK | DE (link to iTunes)
Spotify Browser | app.
D’Arienzo for Export vol.II
Some of the best tracks from this period: Gran Hotel Victoria, Pura trampa, El amanecer and 9 de julio.
amazon UK | DE
Apple music UK | DE (link to iTunes)
Spotify Browser | app.
D’Arienzo for Export vol.III
Apple music UK | DE (link to iTunes)
Spotify Browser | app.
D’Arienzo for Export vol.IV
Apple music UK | DE (link to iTunes)
Spotify Browser | app.
The album El rey del compás is available on Apple music in Mexico, but nowhere else that I could find.
Those who want to learn about all the original LPs from the 1960s and 1970s – not just the four in the “For Export” series – can try reading Jens-Ingo’s article Darienzando.
Click on the tag “digital” below to see all posts about re-releases of CDs as digital downloads.
Category Archives: D’Arienzo
Juan D’Arienzo on Radio Gouda
In summer 2019, I returned to the studios of Radio Gouda to chat with Oliver Kruse-Dougherty, this time about Juan D’Arienzo and my new book about his life and work.
Part One looks at the beginning of the D’Arienzo phenomenon and the key elements in his sound – most notably, Rodolfo Biagi.
In Part Two, we heard how D’Arienzo reacted in March 1940 when he lost his entire orchestra.
Rock and roll! Part Three looks at how D’Arienzo regenerated himself in 1950, returning to his roots.